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The New York Times > Technology > Circuits > Uses: A Mundane Shot? If It’s on a Photoblog, Someone’s

Posted 09/06/2005 under photoblogs

BLOGS are great for those who like to write and wonderful for those who like to read, but what about people who don’t like to do either?

They are expressing themselves through photoblogs,  Web sites that are part visual diary, part photo gallery, where in recent years anyone with a digital camera and Internet connection can take part. Many sites have made it easier than ever to share photographs, including Fotolog.net and Flickr.com, which was recently bought by Yahoo.

Among the most interesting photoblogs to peruse are group oriented,  where many people post pictures, all of them around a central theme. You will find abandoned bicycles, subway scenes, pets. Group sites celebrate the ordinary, the mundane, the ephemeral,  things that everyone can understand. Article available here

The Mirror Project

The Mirror Project, mirrorproject.com, gathers self-portraits reflected in different surfaces: windows, bodies of water, shiny balloons and rearview mirrors. More than 29,000 photos have been submitted from all seven continents since the project began in October 1999.

It began as “Friends of Jezebel’s Mirror,” or FOJM, a spinoff site to Jezebel’s Mirror, where a Web designer named Heather Champ posted 250 of her own self-portraits after the death of her parents, who had been the primary documenters of her life.

For the Mirror Project, Ms. Champ invites guest curators to sift through the submissions and collect photos around themes, some of these have been Ikea, Sept. 11 and books.

The value of the self-portraits, from supermodel-esque poses to corner-of-the-eye glimpses, is that people are less likely to put on airs when they are photographing themselves.

Guess Where

New York photobloggers have created a group photoblog game called “GuessWhere” on Flickr.com, where people post photos from specific cities and others have to guess where they were taken (often with hints).

The original, and most vibrant, is Guess Where NYC, with a hundred or so members. That inspired Guess Where DC, Guess Where San Francisco and Guess Where Tokyo. (At Flickr.com, type in “guesswhere.”)  In New York, all five boroughs qualify. And the photos are sometimes well-recognized places with a twist -  in a reflection, say, or close up.

Those posting photos have learned never to underestimate people’s intimacy with the city. One challenger posted a shot of a round street sign that read “Guardians of Hydrocephalus Research Foundation -  Water on the Brain.” Within a day, a person identified it as a sign at Sackett Street and Court Street in Brooklyn.

Challenge

A number of photoblogs pose one-word themes as a challenge for photographers. Wordphoto, at word photo.org, often poses words that have multiple definitions. The interpretation of the word can express as much of the photographer’s personality as the actual photo. “Slide,” for example, was expressed both as a child on a playground and a professor with an overhead projector.

Photo Friday, photofriday.com, and Thursday Challenge, spunwithtears.com/thursday.html, each pose a weekly theme, where people can then submit links to photos. 

Sadness

Digital photography makes it cheap to take photos of things that are otherwise ignored in daily life - like broken umbrellas, discarded bicycles or abandoned televisions.

But vibrant collections along such ordinary themes have shown up on Fotolog.net, a popular photoblogging site. The hundreds upon hundreds of photos from around the world reinforce a sense of universality.

Jason Wilson developed a fascination for the carcasses of mutilated and destroyed bicycles and started a group photoblog on Fotolog.net that quickly attracted contributors. “It turned out that many people had one, two or 40 of these pics sitting around looking for a context to thrive in,” Mr. Wilson said.

Europeans, who commonly use bicycles to get around rural areas and some cities, have contributed many of the most provocative photos.

“Sad Umbrellas” got its start with Eric Brown, who moved to New York from Los Angeles six years ago and became fascinated with the number of abandoned umbrellas on the street. He wanted to save the graceful, broken umbrellas, but that was impractical. Inspired by the “Sad Bikes” group, he found a home for his infatuation on Fotolog.net. Now there is also a “Sad TV’s” and “Sad Carts” (for shopping carts).

The Anonymous Archives

Almost all photoblogs have a contemporary feel -  a product of the instant digital photography age. By contrast, bighappyfunhouse.com has the feel of a group photoblog that pulls the past into the present, with a jarring voyeuristic effect.

For years, Ron Slattery, a 40-year-old entrepreneur from Chicago, has scoured flea markets, garage sales and trash bins for old photos. Last year, he started putting them onto the Internet: vacation photos from the beach, snapshots of pets, family portraits at birthday parties.

The photos are anonymous, both the subjects and the photographers. At a time when we routinely browse photo albums on Snapfish and Kodak’s gallery, there is something disquieting to see photos that were never meant to be public. His photos span from the late 1800’s to almost the present - a mishmash of hairdos, fashions and photo quality throughout the decades. So far, he has put up more than 900 photos. He often wonders about the people shown, smiling and not, and where their lives took them after that instantaneous meeting with a lens.

In May, he received an e-mail message from a man who had found a picture of himself and a friend, who was wearing a Hello Kitty costume, on his site. The picture was taken in 1982 in Houston when the two men, then teenagers, were hired by someone to pass out balloons at the grand opening of an office supply store.  “What is driving me CRAZY is this. ... How did you come across that photo?” the man wrote.


Fotopages.com - Because a photo is worth a thousand words

Posted 22/09/2003 under photoblogs

Fotopages - just sign up and create your own photoblog today - simple huh!

royby’s fotoblog

fotopages.com


Salon.com Technology | The revolution will be photographed

Posted 17/05/2003 under photoblogs

This article from Salon.com has been archived now so I have included all of it and you can expand ‘more’ to read it all. The article is worth a visit though, mainly for the links as I have not included them all. I like the article and I like the concept of Fotolog. You can visit my Fotolog here but I will leave any further description of this service to the wonderful words of Katherine Cutmull.

The revolution will be photographed
Fotolog combines the community-creation powers of the Internet with the ease of digital photography. The result: Everyone’s an artist.

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By Katherine Catmull

April 22, 2003 |  On April 15, Jimwich’s Fotolog featured a remarkable close-up of a full moon, milky-gray with muddy craters against a deep black sky. Because the focus was less crystalline than his usual work, Jimwich explained in a comment below the picture that he shot it through binoculars, “a somewhat unwieldly setup.” But a long ribbon of additional comments from visitors registered no complaints: “amazing shot,” “unbelievably pretty.”

Thumbnails running down the left of this Web page link to Jimwich’s other recent photos: bright mosaics against a brick wall in Mountain View, Calif.; a lowering watertower; a bee descending toward a flower, every pollen crumb in its fur caught with hallucinatory sharpness.

To the right, more thumbnails link to other Fotolog pages—Jimwich’s “Friends/Favorites” list. These are updated constantly as the pages they link to change; on this day, they include a blossoming fruit tree in central France, rusty New York City buildings in a limpid dawn, and an unusually crisp phonecam self-portrait taken in Berkeley, Calif.

Read the entire article in ‘more’ or go to the article here

A click on any of those links leads one deeper into a Net-enabled nexus of a newly-invigorated arts scene. With the advent of the digital camera, the life of an amateur photographer has been made easier than ever before; now, with the help of community sites like Fotolog, photography is experiencing a full-fledged grass-roots renaissance.

Founded less than a year ago by Web entrepreneur Scott Heiferman, now managed by software consultant Adam Seifer and a “tech whiz” who prefers to be known only as “Spike,” Fotolog is a network of blog-like visual journals. As its FAQ states, Fotolog is not an Ofoto-style online album, where you upload all 40 shots of your family reunion so your cousins can order prints. Instead, at Fotolog, users have created an intriguing international community of photographers, mostly amateur, who post one or two photos to visual blogs every day or every week, allowing friends, family, and random visitors a brief glimpse into their worlds.

Something about this concept resonates, because the site is experiencing crazy growth. In less than a year, Fotolog has gone from 50 new users a month to 50 per day, and the rate is increasing,

Seifer believes that one of Fotolog’s strengths is that “anybody with a camera can take a great photo.” If you have suffered through one too many vacation albums, you know that’s overly optimistic. And yet besides the inevitable blurry, red-eyed picnic shots, Fotolog abounds with beautiful and extraordinary images like those on Jimwich’s page. Why is that?

In part it’s because digital cameras have made not just photography, but photographic art, much more widely available. When novice photographers can see their pictures immediately, it sharply accelerates the learning process. But more than that, digital cameras eliminate the expense of film and development. You can shoot and re-shoot, experiment and play, for no more than it costs to recharge a few batteries. This luxury was previously available to few besides professional photographers. Digital cameras have liberated infinite fertile mistakes.

At the same time, the act of keeping a photographic record of your daily life teaches you to see with a different eye. “Once you start carrying a camera around with you, you see the world in a new way,” says Seifer. “You start noticing everything around you. Walking to the subway is no longer about the time you’re ‘losing’ on your way there—it’s an opportunity to see thousands of potential photo subjects.”

What Fotolog specifically adds to the mix is feedback. The Friends/Favorites lists and the comment feature allow users to share their work with others to a much greater extent than a lonely, disconnected Web page with personal photos could. The community provides ongoing feedback and constant exposure to the work of others. And that changes the way people make their photos. Seifer says, “We find that a lot of our users start off posting pics from their vacations and birthday parties, since that’s all they’ve ever done, and little by little, as they see which other photos on Fotolog tend to get the most enthusiastic attention, it inspires them to start being more thoughtful and experimental with their own photos. It’s a very satisfying dynamic to observe.”

The seeds of Fotolog first emerged when Heiferman sold his Web advertising company, i-traffic, in 1999 and began casting around for a new project based on the community-building power of the Internet. “While people were writing off the Web,” he says, “I was falling in love with the new world order of riffraff-free community and self-publishing on the post-bubble Web: blogs, LiveJournal, Craigslist, Fark, eBay, Allyourbase.”

Wanting to do a blog, but not feeling like a writer—and inspired by photography sites like lightningfield.com and lauraholder.com—Heiferman started posting a photo a day, a practice he now continues in his own Fotolog.

When Heiferman decided to focus his efforts on Meetup.com, a site that helps organize face-to-face meetings among local interest groups, he passed along another idea to Spike—“I gave him my sketches, he made it”—and Fotolog went live in May 2002.

Adam Seifer was an early Fotolog user who shared Heiferman’s interest in “viral community growth.” Seifer’s Foodlog is an inexplicably entrancing visual record of what he eats every day (“not everything—just the major meals”)—a piece of performance art celebrating the color values inherent in rotini with fra diavolo sauce. Seifer became “completely obsessed with the Fotolog concept,” and Spike and Heiferman eventually put him in charge.

Spike built the site itself using open-source software technology—a conscious choice that Seifer hopes will help them “leverage the years of scaling Web sites that we’ve learned from previous jobs.” The site is growing very fast indeed. In its first five months, it was intended only for the use of the founders’ friends and family. But with some tweaks to the site last October (Seifer calls them “more and better viral mechanisms for people to get their friends involved”), membership took a sharp upward turn. As of April 2003, Fotolog had over 3,000 Fotologgers. “It took 10 months for us to reach our first million total Fotolog views,” Seifer notes. “We’ve served over a million Fotolog pages in the last three weeks.” Currently Fotolog is free to users, though the site requests donations, and Seifer, Spike, and others run it in their spare time.

The site’s design is simple and intuitive. Each Fotologger has his or her own page, with the most recent photo prominently displayed and a space for comments underneath. The Friends/Favorites thumbnails act as the site’s organic, semi-chaotic, and entirely human organizing principle. Browsing the site is delightfully unpredictable, an experience of repeated serendipity. Clicking one link begins a sort of “drunkard’s tour” of the site, as Fotologger and Los Angeles screenwriter Howard A. Rodman puts it, in which you poke your head down one interesting alley, see a friend and backtrack in that direction, meet someone new and wander off with them, etc.

And since photography transcends language differences, your new friend may well be from the other side of the world. Fotolog is more truly international than most Web sites, with members from 70 countries, from Iceland to Singapore to Brazil. Comments in Portuguese and French are common. Fotologger Yolima photographs the red roofs of The Hague against a bright blue sky. Virginie is from France—her Fotolog recently featured an eerie series of angelic, childish limbs in different poses. New Yorker Digiruben, who recently photographed a bare tree against a shocking pink wall, features a Friends/Favorites list that links to Fotologs from Battle Creek to Tokyo to Lyon.

With thousands of windows into thousands of worlds, Fotolog makes visitors into voyeurs—not in the sexual sense (Fotolog’s user agreement forbids vulgar or obscene material), but in a psychological one. Browsing Fotolog, you see not just into people’s lives but into their minds—a “glimpse into their cognitive landscape,” as Patrick Lopez, an Austin, Texas, Fotolog fan, calls it. We all see selectively, making choices from within the world’s visual riot, and those choices say something about us. One glance at any Fotologger’s thumbnails tells you where, consciously or unconsciously, they choose to focus their gaze: on themselves (this appears to be especially common among adolescent Fotologgers), the natural world, on abstract arrangements of color and light, etc. The photos also tell you something about how they see, whether in passionate blurs or with scrupulous clarity. Every Fotolog has a different visual voice, and the best have distinct and extraordinary ones.

Within Fotolog, subset communities are beginning to emerge—for example, those who shoot with cheap low-res cameras like the Blink—and the site will do more to encourage such communities in the future. Seifer is also proud of the technology that allows those with cellphone cameras to e-mail their photos directly from the street to their Fotologs. “There’s a sense of immediacy and ‘realness’ that you just don’t get from nicely PhotoShopped art shots,” he observes of this “personal photojournalism.”

All this is not to say that everyone who starts a Fotolog becomes Ansel Adams or Dorothea Lange. But the construct of godlike artist reaching down to the audience from on high is ready for a rest now, anyway. Passive consumption of art and entertainment—so 20th century! The ease of self-publishing on the Web (and Fotolog makes it extremely easy) encourages participation. As a result, the Internet is becoming a lush, messy, and pleasantly neglected garden, one where all kinds of art forms—blogs, photologs, Flash art, films, music—can flourish.

With luxuriant growth come challenges, of course. Seifer is confident of Fotolog’s ability to handle its intense expansion, saying, “We’ve tried hard to architect the site to be scalable from the get-go.” They also recently established an upload limit of six photos per day to deal with “people misunderstanding what Fotolog is about.”

And Fotolog’s donation system “has been great so far,” Seifer says. “I think that after the dot-com bust, people have come to understand that the online content and services they enjoy simply won’t be provided for free indefinitely.” It may also be that Fotolog users feel a special interest in keeping this particularly fertile corner of the Internet garden alive.


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About the writer
Katherine Catmull is a writer living in Austin, Texas. Her own Fotolog is here.

Related stories
Black-and-blue in ones and zeros
Digital photography is revolutionizing the prosecution of domestic violence cases.
By Karin Halperin
07/10/02

Sneaking peeks at the porn clowns
Even flaming exhibitionists agree: Digital cameras and the Internet make invading a person’s privacy much too easy.
By Daniel Terdiman
03/07/02


Fotolog.net

Posted 16/05/2003 under photoblogs

Create your own Fotolog for free!!
6,670 Fotologgers
103,121 Photos

http://www.fotolog.net/


A Day in the Life

Posted 26/04/2003 under photoblogs

Perhaps ‘A Day In The Life’ is not a weblog in the strict sense of the word, but if it is not, then what is it? And who really cares anyway? This is a great site with some very interesting photos and I enjoyed browsing through it immensely.

The concept is simple. Each day, one new photo will be posted on the site. A photographer is assigned to shoot one photo a day for seven days. The photo can be of anything the photographer wants. The only guideline is that the photo that’s posted has to have been taken within the past 24 hours. After the week is up a new photographer in a new location will contribute a week’s worth of photos and so on. Our archive section will contain every photo posted on this site.
The purpose of the site is to show a wide range of photos from a wide range of place from an eclectic mix of photographers. You don’t need be a professional photographer to contribute as this is really more about snapshots from our daily lives.

image

http://www.adayinthelife.org/


The 2003 Photobloggies

Posted 15/01/2003 under photoblogs

Because photoblogs were not included as a category in this years ‘bloggies’, Rannie has organised the photoblog awards.

http://www.photojunkie.org/photobloggies/